Different students find movement through different doorways. A clear explanation brings one movement into focus. Another needs to see its shape, feel it in the body, hear its relationship with the music, repeat it, make it smaller, exaggerate it, or approach it from a new angle.
At times, the work becomes precise: where the weight is, how the timing fits the music, where a movement begins, how a transition connects, or how one partner communicates with the other. At other times, the movement is beginning to settle. Another explanation could pull the student back into analysis, so I allow the body room to integrate the movement.
A step that feels easy on its own changes when music, a partner, a transition or a longer combination enters. I keep watching, listening and adjusting as the dance develops.
I have been teaching since around 2000, and every student still interests me because I never know exactly how their dancing and learning will unfold. That living process continues to drive, inspire and transform me as a teacher.
About Dominic